Mansfield Park (Signet Classics (Paperback)) Book
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| Book By: Jane Austen |
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Sales Rank: 20,473; Release Date: 01 August, 1996; Media: Paperback
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Customer Book Reviews |
Average Rating: 
Rating: - Amazing characters
If anyone reads this novel and forgets who Mrs. Norris and Mr. Rushworth are--I am amazed. Jane Austen is a nearly perfect story-teller. Always there are unexpected twists in lovers and even in marriage. Mansfield Park takes it's place by Emma as my favorite Ms. Austen novel. Mansfield Park takes you through the morals of classes, and lets you heighten yourself right along with Fanny Price. No matter what Aunt Norris has to say. Mr. Rushworth was my favorite character among them all, he doesn't make many appearances--when he does they were all rather humorous to me. A highly recommended read for a cozy night.
Rating: - A little slow-but it sure picks up!
I read many novels, many of them classics in under a week. This one took me a MONTH! I found the beginning to be extremely slow, but the book did pick up in the end. I can't really decide whether or not I liked Fanny, but she did need a little self-confidence. Edmund seemed a little too good to be true, and Aunt Norris was a total witch. I had a hard time believing the character relationships in this book as they seemed impossible because the people were HORRIBLE to eachother. Also, Uncle Bertram seemed to have a complete reformation that was a little unbelievable. I dragged through this book until it picked up at the end. I was sad to see it end, and I think Austen could have devoted more than 2 pages to Fanny and Edmund's romance at the end because it took so long to happen, though who am I to be a critic, I could never write anything close to Jane Austen! Read this book for the ending, but don't expect it be a fast read!
Rating: - Austen's most controversial novel.
In this somewhat atypical Jane Austen novel, Austen abandons her precise characterization and carefully constructed plots, usually designed to illustrate specific ethical and social dilemmas, and presents a much broader, more complex picture of early nineteenth century life. Though the polite behavior of the middle and upper classes is always a focus of Austen, and this novel is no exception, she is more analytical of society as a whole here, casting a critical eye on moral issues which allow the upper class to perpetuate itself. Fanny Price, the main character, is the daughter of a genteel woman who married for love but soon found herself in poverty. When Fanny's aunt and uncle, the wealthy owners of Mansfield Park, invite Fanny alone, of all the children, to live with them, Fanny enters a new world, where she is educated, clothed, and housed, but always regarded as an "outsider."Through Fanny's two cousins, Maria and Julia, Austen shows the complex interactions of the upper class as they negotiate marriages, try to maintain the family's reputation and wealth, and react to those "beneath" them socially. Fanny, having experienced both poverty and plenty, comments on what she sees, and though she lacks the witty charm of some of Austen's other characters (such as Elizabeth Bennett), she shows an intelligence and conscience lacking among her cousins. Only Edmund, the youngest of the Bertram sons, pays genuine attention to her, and her love for him is real, though secret. This is a darker novel than Austen's others, showing conflicts between late eighteenth century rationalism and the growing romanticism of the nineteenth century. Sir Thomas maintains his wealth through his expedient participation in the slave trade, a business that his sons Thomas and Edmund abhor. Often unfeeling toward his own family, Sir Thomas also shows cruelty toward Fanny when she rejects a marriage he has negotiated for her to a man she does not love. Cousin Maria chooses to marry Rushworth for his fortune, but she succumbs to her passion for someone else, and introduces a romantic, new sexuality into the novel. Unfortunately, Fanny, though sweet and reasonable, is also quiet and predictable, while Edmund, the only other potentially empathetic character, is naïve and often appears to be weak. Austen's light touch and quiet humor, which make her other novels vibrate with life and come to a satisfying ending, are less obvious here, and the abrupt conclusion leaves many questions unanswered. Mary Whipple
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